One manual German harpsichord about 1700, 2,14m long, compass FF/GG - f³, 2 x 8', 1/2 tone transposition shift, manual stops, naturals in plum wood, sharps in swamp oak, brass strings and three unscrewable legs
	One manual harpsichord after Andr. Ruckers, Antwerpen 1637, 1,85m long, compass HH - e³, 2 x 8' + buff-stop, 1/2 tone transposition shift, manual stops, naturals in ebony, sharps with bone key-tops, inside case with patterned papers, stand
	One manual harpsichord after Andr. Ruckers, Antwerpen 1640, 2,13m long, compass GG/AA - f³, 2 x 8' + buff-stop, 1/2 tone transposition shift, manual stops, naturals in ebony, sharps with bone key-tops, inside case with patterned papers, pedestal
	One manual harpsichord after G.B. Giusti 1681, length 2,06m, 2 x 8', compass HH - d³, 1/2 tone transposition, brass strings, naturals with boxwood key-tops, sharps in ebony, false inner-outer, stand.
	One manual harpsichord after Giovanni Ferrini, Florenz, 2,25m long, 2 x 8', compass GG/AA - d³, 1/2 tone transposition shift, brass strings, naturals with boxwood, sharps in ebony, case made of solid cypress, stand
	One manual harpsichord after G. Pertici, Florenz 1681, length 2,06m, 2 x 8', compass AA - f³, 1/2 tone transposition, brass strings, naturals with boxwood key-tops, sharps in ebony, false inner-outer, stand.
	One manual harpsichord after G. Pisaurensis, 2,32m long, 2 x 8', compass GG/AA - d³, tone transposition shift 415/440/465, brass strings, naturals with boxwood, sharps in ebony, case made of solid cypress, stand
	One manual harpsichord after Blanchet, Paris, 2,18m long, compass FF - f³, 2 x 8' + buff-stop, 1/2 tone transposition shift, manual stops, naturals in ebony, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Joh. Ruckers, Antwepen 1640, 2,22m long, with the original compass from GG/C - d³ or with an enlarged compass from GG - f³ and a french keyboard, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual registers, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, inner case with patterned papers, stand
	Two manual harpsichord after Blanchet, Paris 1746, 2,28m long, compass FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Benoist Stehlin, Paris 1767, 2,32m long, compass FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Henri Hemsch, Paris 1754, 2,28m long, compass FF - f³, lower manual, 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Nicolas et Francois Blanchet, Paris 1730, 2,35m long, compass FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Michael Mietke, Berlin um 1700, 2,35m long, compass FF/GG - e³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Joh. Heinr. Harrass, Großbreitenbach before 1714, 2,43m long, compass, FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Two manual harpsichord after Nicolas et Francois Blanchet, Paris 1733, 2,35m long, compass FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand
	Pedal-harpsichord in historical construction, 3,04m length including the sofa seat, compass C - f '', the keyboard can be constructed radial or parallel, 16' + 8' + 4', foot shifter.
	Two manual harpsichord after Pascal Taskin, Paris 1769, 2,32m long, compass FF - f³, lower manual 8' + 4', upper manual 8' + buff-stop, 1/2 tone transposition shift, manual stops, push-pull coupler, naturals with ebony key-tops, sharps in ebony with bone key-tops, stand